A freshly coined term emerged a few months after the start of Israel’s bombardment of Gaza. Labeled WCNSF, it signifies “Child casualty without any family left”. This acronym is unique to Gaza, according to medical experts such as child health specialists. Normally, it is rare for physicians to care for a child who has seen the death of their entire family. Yet, there has been no semblance of normality concerning the devastating conflict in Gaza, where entire family lineages have been eradicated and the number of children who have lost limbs surpasses that of any other place in the world. No sense of normalcy about numerous doctors arriving back from a landscape of rubble with testimonies of children being intentionally shot at.
Conditions in Gaza persist as an utter catastrophe. Essential medical supplies are not getting in those in need, and groups like Amnesty International assert that genocidal acts are continuing. Officials has denied these claims, just as it denies all charges it is charged with. But while young survivors are now suffering from the cold in temporary shelters, there is some ostensibly positive news: nothing is going to stop the Eurovision song contest from advancing its professed goal of “unity and cultural exchange.” Eurovision will continue to roll out a prestigious stage for Israel, even though several European countries have now pulled out in protest. Since this, we are told, is what global togetherness manifests as.
Eurovision, of course banned Russia from competing in 2022 due to the “grave situation in Ukraine”. But the crisis in Gaza appears to be treated differently.
Forget the fact that Israel was criticized for irregular participation methods last year in what could be seen as an effort to manipulate Eurovision. Ignore the report that a young child was reportedly killed in Gaza recently. Neglect the data that settler violence and systematic expulsions in the West Bank have surged. Disregard the condition that foreign reporters are still denied unfettered access in Gaza. None of this, it would seem, should be allowed to get in the way of Eurovision’s self-proclaimed spirit of unity.
The contest turns 70 next year – nearly twice the projected longevity of a person in Gaza at present. The show may go on, but it will find it impossible to reclaim the camp joy it historically embodied. A competition that was originally built on harmony has now become a cynical way to sanitize military aggression.
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