“Well, it’s rather brutal here. The guidance we offer all of our clients to invest all their resources into tinned provisions and hunting rifles.” That bit of shrewd guidance comes from the Brain Gremlin – a scientifically altered, speaking, spectacled member of the slick creature crowd that overruns Manhattan’s ultra-modern Clamp Tower skyscraper in director Joe Dante’s madcap sequel Gremlins 2: The New Batch. On the surface, it’s merely an portfolio pointer from one monster to another. But, oddly enough, it’s also pretty solid life advice. Truly, listen to my reasoning.
When situations deteriorate, the biggest mistake you can do is view events with undue solemnity. The Brain Gremlin comprehends this. Indeed, a large portion of the toothy monsters that inhabit Dante’s unrestrained 1990 movie (arguably his best) possess the same knowing, self-referential funny bone regarding the indistinct border separating everyday life and absolute bedlam. It’s a single component of Gremlins 2: The New Batch that keeps me coming back – and as I age, it’s the underlying idea that resonates the most.
Naturally, my fondness for this movie didn’t start on such an deeply thoughtful note. In my youth, we possessed merely a few well-worn videocassettes at home. Part of that group were Gremlins and its second chapter, the latter housed in a chunky ex-rental box almost certainly acquired from an non-chain rental store and featuring growling monsters on its worn-out artwork. I was instantly captivated and these films did not delay embedding themselves inside my tiny, impressionable mind. After that point, they became an near-everyday part of my childhood viewing routine.
Dante’s original typically gets all the plaudits, thanks largely to its status as a moderately spooky festive favorite – and don’t get me wrong, I’ve watched Gremlins an incalculable number of times. Nevertheless, its follow-up rarely gets the same level of high regard, which feels criminal. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During sunny school summer breaks, I’d retreat into the house and play it. When I got my own TV-VHS combo unit, it stayed in constant rotation in my bedroom. Over time, it etched itself permanently in my psyche. If my parents noticed this obsession, they gave no indication of concern.
As I matured, new insights enriched repeat viewings, heightening the enjoyment of watching little green monsters happily vandalize a New York high-rise. I learned the forward-thinking real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on the eventual commander-in-chief Donald Trump, with his auburn-haired worker Marla (Haviland Morris) alluding to his one-time partner Marla Maples. Thankfully, Clamp has more heart than his genuine article inspiration.
The “end of civilisation” video Clamp plays during maximum monster mayhem? I discovered it was based on a genuine “Doomsday” video commissioned by the CNN boss Ted Turner should the world actually met its demise. I noticed how Dante took extra pains to film alternate cuts of a meta sequence where Gremlins hijack the very film you’re watching. One for cinemas, a separate one for tape and broadcast, each providing a grinning portion of self-referential entertainment sorcery before the term was even a thing.
While it was makeup maestro Rick Baker’s gloriously nasty-looking creatures that drew my gaze as a child, this deeper gold held my interest as an adult. Ultimately, I even spoke to Dante about it myself and he had no hesitation informing me he made the movie with the specific aim of ridiculing those who loved its silly-yet-sincere predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This cartoonish rebelliousness and commitment to not take his sequel as gravely as his Warner Bros bosses evidently expected, only made me love it even more.
When I went through a unexpected loss in the family earlier this year, I was surprised to find that, during my deepest grief, all I desired to do was sit and watch Gremlins 2: The New Batch. Odd, no? Perhaps not. The nostalgic calm it furnished was needed to weaken my mind’s sadness sludge – but the insights it had bestowed upon me as an adult were equally valuable.
Like Gremlins tearing apart a genetics laboratory, there’s certain elements in life you just can’t control. Dante understands this. The Brain Gremlin agrees completely. Sometimes, you have to be like them: welcome the pandemonium, put everything you’ve got into canned food and shotguns and try not to take things too seriously.
It’s powerful existential guidance from a very unlikely source – and it’s why Gremlins 2: The New Batch will forever remain my feelgood film.
A seasoned gaming analyst with over a decade of experience in online casinos, specializing in slot machine strategies and player psychology.