Capturing the metropolitan unease and vibrancy of São Paulo, Marcelo Caetano’s gripping drama zooms in on those who exist on the margins of an ever-changing metropolis. Fresh out of juvenile prison, 18-year-old Wellington (João Pedro Mariano) finds himself at a crossroads; deserted by his parents, the innocent young man discovers refuge in the arms of others.
On an night on the town with his boisterous group of LGBTQ+ and gender non-conforming friends, Wellington encounters Ronaldo (Ricardo Teodoro), a hunky, charismatic hustler more than twice his age. Bathed in the pulsating light of a neon-lit porn cinema, their initial encounter is intimate and charged, with an hint of risk. Ronaldo quickly introduces Wellington to the underground scene of prostitution and selling drugs.
The director portrays Wellington’s new life of crime with tender empathy instead of as a sensationalist cautionary tale. Now going by the name of Baby, he approaches his transactional encounters with swaggering confidence and poignant gullibility. To his patrons, Wellington lends not only his youth and his body, but also moments of care.
In the electrifying chaos of São Paulo, overflowing with bustling alleyways and brightly painted facades, there’s a deep-seated solitude, as unmoored souls cling on to one another for momentary bliss.
"The streets can be fraught with peril, yet they are the place where they can forge familial bonds, too."
Ronaldo is simultaneously a partner and a sheltering paternal presence to Wellington, but their bond is sabotaged by possessiveness and economic precarity. Threats from dubious individuals in the criminal underworld are overshadowed by the anxiety about government monitoring and jail time, epitomized by the looming presence of police officers making their rounds.
Baby is most powerful as a keen observation of the lost people who have been failed by the social system. The film ultimately serves as a heartfelt look into survival, non-biological kinship, and the quest for self within a harsh urban landscape.
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